The Stupa memorial site is dedicated to
the victims of Democratic Kampuchea during the Pol Pot regime from
1975-1979. These national and local memorials were built during the
decade immediately following the 1979 toppling of the Pol Pot
regime.
Many national and
local memorials were constructed throughout Cambodia in the early
1980s. Local communities have provided the impetus, labor, and
funding for such projects. Each stupa displays a large number of
human remains. The memorial stupa is also supported by the local
people, who believe that the sites should be maintained for the
education of others and for the purpose of showing respect for the
dead. Individual merit making is also a motivating factor in
Cambodia's Buddhist culture. Tourism, both domestic and
international, has also had an effect on the upkeep of some local
memorials. Some communities receive donations from visitors and are
thereby able to upgrade these memorials (Rachel 2002:284)
Apart from those memorials, the
memorial site at Choeung Ek Genocidal Center is located in the
semi-rural outskirts about fifteen kilometers southwest of Phnom
Penh. The memorial was built as at the national level. There is a stupa
at the fields which contains more than 8,000 skulls recovered from
the graves and it serves as a tribute and a reminder of the
atrocities that took place there.
The Genocidal Choeung Ek Center
features a large and important Memorial Stupa. The site was
originally a Chinese graveyard but it operated from 1978 to the end
of 1977 as a killing site and burial ground for thousands of
victims. Most of those victims were transported from the secret S-21
prison and then killed and buried in mass graves at Choeung Ek
Liberation of the country from Khmer
Rouge rule came on January 7th, 1979. The killing
fields at CE were discovered at that time. It finally became clear
that Choeung Ek was a major site of recent mass violence perpetrated
by the Khmer Rouge. There were further physical examinations and
documentations before the site was initiated.
A large scale construction project
commenced in early 1988, when the government ordered ministerial and
municipal authorities to construct the memorial stupa.
Then, in 1989, the skeletal remains
housed in the wooden memorial were relocated to a sealed glass
display of the large new concrete Memorial Stupa.
Symbolism of the
Choeung Ek Memorial Stupa
In Buddhist cultures a stupa is a
sacred structure that contains the
remains
of the deceased, especially the remains of greatly revered
individuals. The construction of stupa is a significant activity
that produces merit for the living and encourages the remembrance of
the dead.
Based on these principles, the Memorial
Stupa at Choeung Ek was designed to serve as a lasting reminder of
the Khmer Rouge period and the terror that these victims went
through. It also serves as a memorial where Buddhist funeral rites
can be performed to allow the spirits of the deceased a more
peaceful passage to the afterlife.
In 1988, architect
Lim Ourk was employed to design the Memorial stupa for Choeung Ek.
He drew three possible designs for the site, inspired by the sublime
architectural forms of the Royal Palace of Cambodia in Phnom Penh
(Lim Ourk, pers. comm. 2000). His three designs varied in height,
roof structure and degree of carved detailing. The 62 meter height,
most decorative stupa design was chosen by the municipal committee.
The
Memorial Stupa under construction (1988)
In 1988,
architect Lim Ourk was employed to design the Memorial stupa for
Choeung Ek. He drew three possible designs for the site, inspired by
the sublime architectural forms of the Royal Palace of Cambodia in
Phnom Penh (Lim Ourk, pers. comm. 2000). His three designs varied in
height, roof structure and degree of carved detailing. The 62 meter
height, most decorative stupa design was chosen by the municipal
committee.
The Choeung Ek
Memorial Stupa is an inescapably postmodern monument. Its forms are
transformed under a thoroughly late-twentieth century dilemma: how
to memorialize genocide. It draws on the architecture of Buddhist
temple pavilions features include redented walls, four projecting
porches with tall doorways which lead into a square central area,
and roof tiers ascending to the roof superstructure. Its
superstructure is especially reminiscent of the pavilions of the
Cambodian Royal Palace. Because the Royal Palace remains a
preeminent space of scriptural learning and governance, the
architectural reference to these forms designates Choeung Ek as a
place of Buddhist and Khmer cultural significance.
Five stages in
the middle section of the uppermost roof portion of Choeung Ek
symbolize the five rings of subsidiary mountains around Meru, the
sacred mountain of Buddhist cosmology. In accordance with this
cosmological composition, the central pillar which emerges from the
Memorial’s roof is the axis mundi, the “world mountain” or “pivot of
the universe” evident in the earliest stupa structures (Fisher 1993:
31). The monument’s fine uppermost spire is ringed with two sets of
seven discs which may be abstracted lotus forms or umbrellas — the
“honorific and auspicious emblems” associated with monks and royalty
in Buddhist cultures (Fisher 1993: 31). Elongated “sky-tassels” on
the roof gables ward off unsavory spirits that fall from the sky,
while giant naga snakes of ancient Khmer mythology guard the lower
four corners of the roof structure. The pale stone of the lower half
of the monument is also highly symbolic, white being representative
of death, decay and impermanence in Khmer Buddhism.